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Underground Art Exhibition in Cappadocia by Heiner Straesser.

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VR Panorama of the Day: Son Koul (Song Kul)

Location: Lake in Kyrgyzstan
Photographer: Alain Collet
Event: Best of 2013

VR Panorama of the Day: Japanese Garden

Location: Sonnenberg Gardens, Canandaigua, New York, USA
Photographer: Julian Pecenco
Event: Gardens

VR Panorama of the Day: Trois-Rivières, City of Entertainment

Location: Trois-Rivières, Québec, Canada
Photographer: Michel Briere †
Event: Best Of 2008

VR Panorama of the Day: Yokohama Sunset

Location: Yokohama Marine Tower, Yokohama, Japan
Photographer: Rikuichi Kishimoto
Event: Best Of 2009

VR Panorama of the Day: Machines in my Workshop

Location: Caochangdi 219, Beijing, China
Photographer: Jesse Lee ????????
Event: Machines

VR Panorama of the Day: Difference in Elevation: 30 Meters

Location: Oberried, Black Forest, Germany
Photographer: Reinhard Schmolze
Event: Elevation

VR Panorama of the Day: Time, it's set in Stone

Location: Vasquez Rocks Natural Area Park, Agua Dulce, California, USA
Photographer: Pat Swovelin †
Event: Time

VR Panorama of the Day: Spiny Skyline

Location: Mainz, Rheinland-Pfalz, Germany
Photographer: Gabi Haindl
Event: Family

VR Panorama of the Day: Big Ben

Location: London, England, UK
Photographer: J Pat Marse
Event: Best Of 2011

VR Panorama of the Day: Larson Salvage Company

Location: Bay City, Michigan, USA
Photographer: Cary Ewing
Event: Diversity

VR Panorama of the Day: Back to Mexico

Location: Cancun, Quintana Roo, Mexico
Photographer: Dave Albright
Event: Best Of 2010

VR Panorama of the Day: Confidence in Life

Location: Bayi Lake, Beijing, China
Photographer: Jesse Lee ????????
Event: Elevation

Particles – 3dsMax and Lumion/Unity

Particle Flow is a versatile, powerful particle system for Autodesk’s 3ds Max. It employs an event-driven model, using a special dialog called Particle View, allowing you to combine individual operators that describe particle properties such as shape, speed, direction, and rotation over a period of time into groups called events. Each operator provides a set of parameters, many of which you can animate to change particle behaviour during the event. As the event transpires, Particle Flow continually evaluates each operator in the list and updates the particle system accordingly.

pFlow 3ds Max

pFlow 3ds Max

To achieve more substantial changes in particle properties and behaviour, you can create a flow. The flow sends particles from event to event using tests, which let you wire events together in series. A test can check, for example, whether a particle has passed a certain age, how fast it’s moving, or whether it has collided with a deflector. Particles that pass the test move on to the next event, while those that don’t meet the test criteria remain in the current event, possibly to undergo other tests. The simple example pictured above details a pFlow dialogue determining the birth of particles linked to a target geometry. The particles can subsequently be baked (using pFlow Baker) into an animation timeline for simple output via .fbx, allowing import into external systems such as Unity or Lumion.

The clip above illustrates the pFlow system imported into Lumion with the addition of a scene created in CityEngine.

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VR Panorama of the Day: Pole Climbing

Location: Seoul Olympic Park, South Korea
Photographer: Ingemar Bergmark
Event: Best Of 2008

VR Panorama of the Day: Philly Willy

Location: Philadelphia, Pennsylvania, USA
Photographer: Thomas K Sharpless
Event: Necessity

VR Panorama of the Day: Minnesota Department of Transportation's Regional Transportation Management Center (RTMC)

Location: Roseville, Minnesota, USA
Photographer: Edward S. Fink
Event: Transportation

VR Panorama of the Day: CATS & DOGS

Location: Glen Eden, Waitakere, Aauckland City, Aaotearoa/New Zealand
Photographer: Michael Bajko
Event: Family

VR Panorama of the Day: Adam & Eve in the Apple Orchard

Location: Oratia, Waitakere, Aotearoa/New Zealand
Photographer: Michael Bajko
Event: Beginnings

VR Panorama of the Day: Rafting Adventure Philippines

Location: Cagayan de Oro, Philippines
Photographer: Rommel Bundalian
Event: Best Of 2009

The Making of the CASA Oculus Rift Urban Roller Coaster

Earlier this year CASA was invited to create a virtual reality exhibit for the Walking on Water exhibition, partnered with Grand Designs Live at London’s ExCeL. While CASA has a tendency to spend a lot of time thinking seriously about cities and data it was quickly decided that a fun and novel way to engage the 100,000 or so expected visitors would be an urban roller coaster ride using the Oculus Rift Virtual Reality headset. Oliver Dawkins, a student on our MRes in Advanced Spatial Analysis is a leading light in urban visualisation and the Oculus Rift, as such he kindly offered to lead the development. In the following guest post, Oliver (of talks us through the development process….

CASA Urban Roller Coaster from Virtual Architectures on Vimeo.The first tool chosen for this project was the Unity game engine because it provides a very simple means of integrating the Oculus Rift virtual reality headset into a real-time 3D experience. Initial tests were made in Unity with a pre-made roller coaster model downloaded from the Unity Asset Store. However, rather than simply place that roller coaster in an urban setting I wanted to create a track that would be unique to this experience and feel like it might have been part of the urban infrastructure. Due to time constraints it was not possible to model the urban scene from scratch. Instead I decided to generate it procedurally in Autodesk 3ds MAX using a great free script called ghostTown Lite.

Although I like to use SketchUp for 3D modelling wherever possible 3ds MAX was much better suited to this project as it allowed me to quickly generate the city scene, model the roller coaster track, and animate the path of the ride, all in the one software package. After generating the urban scene I used the car from the Asset Store roller coaster as a guide for modelling my track in the correct proportions.


The path of the ride through the city was modeled using Bezier splines, first in the Top view to get the rough layout and then in the Front and Left views to ensure the path would clear the buildings in my scene. The experience needed to be comfortable to users who may not have experienced virtual reality before so it was agreed to exclude loop-the-loops on this occasion. It was also important to avoid bends that would be too sharp for roller coaster to realistically follow. Once I was happy with the path I welded all the vertices in my splines so that the path could be used to animate the movement of the roller coaster car along the track later.


Next sections of track were added to the path I’d created using the 3ds MAX PathDeform (WSM) modifier. As the name suggests this modifier deforms selected geometry to follow a chosen path. Using this modifier massively simplified the process by allowing my pre-made sections of track to be offset along the length of the path and then stretched, rotated and twisted to fit together as seamlessly as possible. This was the most intricate and time consuming part of the project.


In order to minimise the the potential for motion sickness with the Oculus Rift I was careful to keep the rotation of the track as close to the horizontal plane as possible. Supporting struts were then arrayed along the path of the track and positioned in order to anchor it to the rest of the scene. When I was satisfied a ‘Snapshot’ was made of the geometry in 3ds MAX to create a single mesh ready for export to Unity. At this point the path deformed sections of track could be deleted as Unity does not recognise the modifier.


To create the movement of the roller coaster car along the track a 3ds MAX dummy helper was constrained to the path I’d created earlier. This generated starting and ending key frames on the animation timeline. The roller coaster car model was then placed on the track and linked to the dummy helper. It is possible in 3ds Max to have the velocity and banking of the dummy calculated automatically, but I found that this did not give a realistic feel. Instead I controlled both by editing the animation key frames using a camera linked to the dummy for reference. This was time intensive but gave a better result. The city scene, roller coaster and animation were exported as a single FBX which is the preferred import format for 3D geometry in Unity.


Having completed the track and animated the car it was time to assemble the final scene in Unity. First I generated a terrain using a great plugin called World Composer. This enables you to import satellite imagery and terrain heights from Bing maps to give your backdrops a high degree of realism.


The urban scene and roller coaster were then imported and a skybox and directional light were added. The scene was completed with various assets from the Unity Asset Store including skyscrapers, roof objects, vehicles, idling characters and a flock of birds.


To prepare the Oculus Rift integration the OVR camera controller asset from Oculus was placed inside and parented to the roller coaster car. In my initial tests with the Asset Store roller coaster I’d found that OVR camera would drift from the forward facing position. This would disorientate the user and contribute to motion sickness. To prevent it with a quick fix I parented a cube to the front of the roller coaster car, turned off rendering of the cube so it would be invisible, and set the camera controller to follow the cube.


In order to ensure the best possible virtual experience it is really important to keep the rendered frames per second as high as possible. As the Oculus Rift renders two cameras simultaneously, one for each eye, you need to aim to render 60 fps in Unity so as to ensure the user can expect to experience a frame rate of 30 fps.

In order to achieve this I took advantage of occlusion culling in Unity Pro which prevents objects being rendered when they are outside the camera’s field of view or obscured by other objects.


I also baked the shadows for all static objects in the scene to save them as textures which saves the processor calculating them dynamically. The only objects casting dynamic shadows are the roller coaster car and animated characters.

Finally two simple java scripts were added. The first would start the roller coaster and uclprovost3play a roller coaster sound file upon pressing the ‘S’ key. The second closed the roller coaster application upon pressing the ‘Esc’ key.

The reception of the CASA Urban Roller Coaster ride at Grand Designs Live was fantastic and I’m really pleased to have participated. It was a great project to work on and an excellent opportunity to learn new techniques in 3ds MAX and Unity. Having my first VR roller coaster under my belt I’m looking forward to building another truly terrifying one when I get the time, hopefully for the Oculus Rift DK2 which has just arrived at CASA.

On a last note I’d like to thank Tom Hoffman of Lake Earie Digital whose excellent YouTube tutorials on creating roller coasters in 3ds MAX provided a great guide through the most difficult part of this challenging project.

You can follow Oliver’s latest work at…..

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